Sunday, April 15, 2012
Billy Elliot Will Steal Your Heart, and so will Michael
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| The cast of Billy Elliot. Photo by Kyle Froman |
Billy Elliot the Musical opens in County Durham on the eve of the 1984 British Miners’ Strike, an event that was to become a defining moment in the country’s history. Prompted by the government’s plan to close twenty coal mines which would effectively end thousands of workers’ only means of employment, the miners rallied together to protect their livelihood. Life was tough and tempers ran high during the year-long strike and out of this conflicted period, Billy Elliot was born.
It is a musical filled with anger, defiance, longing, and hope, in which a boy discovers a passion for dance he cannot deny, a blue collar father faces his shortcomings to help a son achieve a dream, and a community bands together in solidarity to fight against a government that would break its spirit. It is a musical for the people; working class people, who live and die by the sweat of their brow, eking out a living far from the manicured life of the gentry. And something about that makes it all the more rewarding when we see one of their own emerge with a shot at a better life.
The national touring production of Billy Elliot has finally arrived in Los Angeles for the first time where it will sit down for a month at the beautiful Pantages Theatre in Hollywood. If only it would stay longer. Elton John’s music and Lee Hall’s book & lyrics achieve a method of storytelling under Stephen Daldry’s direction that is so powerful that, while you may not go home humming the songs, you’ll certainly leave talking about the images and emotions they conjure on stage. From the sobering opening number “The Stars Look Down” to the heartfelt surprise of “Electricity,” it is a journey that resonates deeply. Peter Darling’s visceral choreography is highly inventive as it weaves together the miners, ballet students, and riot police within numbers like “Solidarity” serving up a triple dose of dramatic irony. The effect is sublime.
Four boys alternate in the role of Billy, with Ty Forhan appearing at the performance I attended. That the producers can even find this level of talent at so young an age is amazing in itself for Billy must be a consummate triple threat. Forhan is already a star who carries himself with the poise of a much older actor and I am sure the other boys, whom I did not see, are equally as gifted.
The journey from being a boy who has never attempted a dance step in his life to a full-fledged ballet protégé means training of the first order and this young man’s performance alone will leave you in awe. The sweet-faced innocent begins awkwardly, all elbows and wide eyes in his first ballet class, but transforms into an exploding time bomb by the time we get to the famous end of Act I “Angry Dance.” And later, his chair-spinning “Swan Lake” becomes a breathtaking pas de deux dream sequence with his older self in which Billy literally takes flight. The sheer beauty of that moment, awash in a single spotlight with billowing clouds of fog rising from the floor, can't help but tug at your heart.
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| Ty Forhan, Leah Hocking, and Annelise Ritacca |
A terrific Leah Hocking, from the original Broadway cast, plays Billy’s chain-smoking dance teacher Mrs. Wilkinson with a forthright manner that allows him to dare to reach for his dream. She is a crucial presence for Billy, whose own mother has died, and though she isn’t cut from the same maternal cloth as his mum, she recognizes that he has a gift that deserves to be given a chance. I was also quite taken by Rich Herbert’s heartbreaking portrayal of Billy’s Dad, a well-intentioned man who tries to do the best he can but is a victim of his own limitations.
And I would be remiss if I didn’t sing the praises of Cameron Clifford’s audacious performance as Billy’s best friend and confidante, Michael (doubled with Jacob Zelonky on other nights). He is another charismatic star in the making who will steal your heart with his honesty and impeccable comedic timing.
I found so much to love in this production. Billy Elliot is the triumphant expression of one boy’s pursuit of a dream that doesn’t gloss over the grittiness of living. Its bold themes, realistic intensity, and electrifying dance numbers will turn you into a Billy fan by the time you leave the theater. They did me.
Billy Elliott the Musical will play the Pantages Theatre in Hollywood through May 13. For tickets and more information go to www.BroadwayLA.org.
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Labels: pantages
Friday, March 9, 2012
Billy Elliot Plays the Pantages
Billy Elliot the Musical is coming to the Pantages April 10 – May 13. Check out the video for an inspiring preview of the show!
The cast features Ty Forhan, Kylend Hetherington, Zach Manske and J.P. Viernes in the role of Billy. Also featured are Leah Hocking (Mrs. Wilkinson), Rich Hebert (Dad), Patti Perkins (Grandma), Cullen Titmas (Tony), Joel Blum (George), Cameron Clifford and Jacob Zelonky (Michael), and Samantha Blaire Cutler (Debbie)…along with Madison Barnes, Michael Biren, Damien Brett, Sasha Ely-Judkins, Tim Funnell, Richard Gatta, Susan Haefner, Regan Mason Haley, Christopher M. Howard, Alison Levenberg, Kent M. Lewis, David Light, Patrick LaVallee, Rebecca Marlowe, Morgan Martin, Joel Newsome, Jeffrey Pew, Matthew Prescott, Jillian Rees-Brown, Vanessa Russo, Brionna Trilling, Genai Veal, Lexi Viernes, Olivia Wang, Thad Turner Wilson, Natalie Wisdom, Danielle Victoria Znuatas and Jeremy Zorek.
Touring production direction is by Justin Martin and choreography by Kathryn Dunn. Musical supervision and orchestrations are by Martin Koch. Billy Elliot the Musical runs April 10 – May 13, with opening night on Thursday April 12th at 8pm. It has a running time of 2 hours and 50 minutes including intermission and is recommended for ages 8 and up; features some adult language, and please note that in consideration of audiences, no one under 5 will be admitted to the theatre.
For more information on Billy Elliot the Musical, please visit www.BillyElliotTour.com. For tickets for the Pantages engagement visit www.BroadwayLA.org.
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Labels: pantages