Wednesday, May 23, 2012
Tickets Set To Go On Sale for THE BOOK OF MORMON at the Pantages
Tickets will go on sale to the general public on Sunday morning, June 10 at 7:00 am exclusively at the Pantages Theatre Box Office (6233 Hollywood Boulevard), and five hours later at 12:00 Noon, individual tickets will be made available online at Ticketmaster.com, by phone at 800-982-2787, and at all Ticketmaster outlet locations. Prices start at $30. In addition, a day-of-show lottery for a limited number of $25 seats will be held for each performance. For more details, please visit www.BroadwayLA.org.
The Book of Mormon features book, music and lyrics by Trey Parker, Robert Lopez and Matt Stone. Parker and Stone are the four-time Emmy Award-winning creators of the landmark animated series, South Park. Tony Award-winner Lopez is co-creator of the long-running hit musical comedy, Avenue Q. The musical is choreographed by Tony Award-winner Casey Nicholaw (Monty Python’s Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker.
Two-time Tony Award nominee Gavin Creel will star as Elder Price in the First National Tour. Creel also appeared on Broadway in the revival of Hair, Thoroughly Modern Millie, the 2004 Broadway revival of La Cage Aux Folles, the Goodman Theatre/Kennedy Center production of Bounce, as well as Hair and Mary Poppins on the West End. Most recently he was seen in the title role of the American Repertory Theater production of Prometheus Bound, and has also starred alongside Julie Andrews in the television movies, “Eloise at the Plaza” and “Eloise at Christmastime.” Additional casting will be announced soon.
Set design is by Scott Pask, costume design is by Ann Roth, lighting design is by Brian MacDevitt and sound design is by Brian Ronan. Orchestrations are by Larry Hochman and Stephen Oremus. Music direction and vocal arrangements are by Stephen Oremus.
The Pantages Theatre is located at 6233 Hollywood Boulevard, steps away from the fabled intersection of Hollywood & Vine. For more information about the Los Angeles premiere engagement of The Book of Mormon, please visit the official website of the Pantages Theatre, www.BroadwayLA.org.
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Labels: pantages
Wednesday, December 7, 2011
THE BOOK OF MORMON is coming to Los Angeles!
The Book of Mormon will be the first show of the Broadway/L.A. 2012-2013 Season at the Pantages Theatre. Broadway/L.A. season ticket holders will be given first access to seats and single tickets will go on sale at a later date. The season’s remaining productions are to be announced.
The musical features book, music and lyrics by Trey Parker, Robert Lopez and Matt Stone. Parker and Stone are the four-time Emmy Award-winning creators of the landmark animated series, South Park. Tony Award-winner Lopez is co-creator of the long-running hit musical comedy, Avenue Q. The musical is choreographed by Tony Award-winner Casey Nicholaw (Monty Python’s Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker.
“The question people most ask me about the show – aside from ‘can you get me tickets?’ – is ‘when’s it coming to LA?’” commented Robert Lopez. “It’s great to finally have a good answer to one question, if not the other.” “We moved to Los Angeles twenty years ago to try and make it as filmmakers,” commented Trey Parker and Matt Stone. “The last thing we expected is that one day we would be bringing our Broadway musical here. It’s crazy and great.
The Pantages Theatre is located at 6233 Hollywood Boulevard, steps away from the fabled intersection of Hollywood & Vine. For more information about the Los Angeles premiere engagement of The Book of Mormon, please visit the official website of the Pantages Theatre, http://www.broadwayla.org/ or http://www.bookofmormonontour.com/.
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Wednesday, February 19, 2014
Interview: The Wild World of 50 Shades! The Musical
It’s coming. Yes, it’s really coming. 50 Shades! The Musical is about to open in Los Angeles on February 25th and audiences have never been crazier over a show than this one. Based on the wildly popular book, 50 Shades of Grey, the musical parody takes the audience into the world of Christian Grey and Anastasia Steele through the eyes of a group of book club ladies who read the book together. The production is a collaboration between a team of comedy writers that includes Al Samuels, Emily Dorezas, Amanda Blake Davis, Jody Shelton, Ashley Ward and Dan Wessels, and it was written in an unconventional manner. Before it arrives, I had a chance to talk to writer, Emily Dorezas, who is also a producer and the show’s touring director, and Tiffany Dissette, who plays Pam, about how the musical got started and what we can expect to see.Emily Dorezas: 50 Shades from A Writer’s Perspective
What inspired you to write a parody of the book 50 Shades of Grey?
Emily: I think it was a couple of things. All of the writers come from a comedy background and whenever there’s a phenomenon, be it political or cultural, we know it’s ripe for comedy. Some of us hadn’t even read the book yet but there was such a frenzy around it that we realized there could be something to have fun with there. I think the juxtaposition of the material, which was provocative, and who was reading the material - conservative housewives - seemed to be something we wanted to make fun of.
Who came up with the idea to do a parody?
E: I’m also one of the producers, along with Marshall Cordell and Al Samuels, and one day Marshall said he had seen a news story about hardware stores running out of rope after the book came out. He’s this crazy entrepreneur and he was thinking maybe he should invest in a rope factory in China, but in the meantime, he said we should think about making fun of this. So even though Marshall isn’t one of the writers, it was definitely his idea. And then I think it was Al who said, let’s do a musical!
Did you all get together in a room to write, comedy sketch style, or did you work individually and then bring ideas in?
E: It was very much a complete collaboration because we had a very short amount of time to write it and put it up. Initially, the idea came in July 2012 and then, while we were in Scotland for something else, we got a date for the show at the Edinburgh Fringe Festival. That was three weeks after the idea came to life. We went from starting in a room together, to working on Google docs from an apartment in Scotland while some of the writers were writing in L.A. It was crazy. So in terms of writing style, it was much more like a TV show - all hands in - than it was a typical musical that takes longer to develop and workshop before it comes to life. Usually a musical takes a couple years with fewer writers. This took a team and we got it up fast.
How have audiences responded? Was there anything that surprised you?
E: The male reaction was the biggest surprise for me. As the tour went on, we would get these private messages via Facebook or our emails with guys thanking us because they had no idea what their wives and girlfriends were reading before they came to the show. They knew it was erotic but I think they thought the show would be ‘just a chick flick on stage’ and I’m quoting a guy on that. I think that is how most guys really come to the show. They’re kind of dragged there. One guy said the party hasn’t stopped since we got home last week, so I think it starts the conversation. These guys aren’t going to necessarily read the book but they’ll come and they’ll laugh together at a show and then realize… you’re into that? Okay, I had no idea.
What should the audience expect to see?
E: It’s a musical parody and it is definitely in the style of a Book of Mormon treatment of 50 Shades of Grey. We’re all deep in that world of Family Guy musicals and South Park musicals and SNL…that style of comedy, so it’s really fast and in your face. It’s not your typical musical comedy. This is funny first, and we have some great songs too. It’s not for kids but there’s no nudity. There’s a lot of suggestive body placement and there’s a ton of innuendo, and obviously there are a lot of terms that we did not shy away from that are in the book. But it’s a good laugh. You might not want to watch it with your parents...but your parents will have a great time at it.
How did you find the way to key into the story?
E: We wanted to make light of all of our friends and family that have read 50 Shades of Grey and so we felt the best way to do that was the book club. The culture of book clubs is really everybody hanging out and having a couple drinks and maybe you talk about the book and maybe you don’t. We wanted to have that kind of feel open the show and we also use the book club to frame it. If an audience member hasn’t read the book, like a husband or a boyfriend, we wanted something to guide them through.
Have you had book clubs and groups come to see the show?
E: Oh, yeah. We get a lot of large groups and group sales folks but we also get groups of 6 or 8, about the number you can fit in a minivan. They’re book clubs or girlfriends that maybe wouldn’t necessarily go to a theatre show but this is their night out.
Do you have a favorite moment that didn’t get left in the show?
E: We had a song that used to close the show called “B*tthole in Control” that isn’t in the show any longer. We had already hit those marks and we felt like it wasn’t the right way to end the show. It just wasn’t the right tone, but we all liked the song. So even though it doesn’t exist in the show anymore, it is on the digital version of the album because we all loved it so much.
How many productions do you have out right now?
E: The New York company opens about the same time we come to LA. It’s at the Electra Theatre in Times Square and in Los Angeles we’re at the Kirk Douglas Theatre. We also have shows in Paris and Holland, we’re about to open in Germany, and we’re also with Broadway Asia.
How does that feel?
E: Awesome! (she laughs) It’s the best. We have a great management partner, Act Five, and we could not be happier about those licenses because, while we have control over it, we give them a lot of flexibility to discover new things with the show; things that maybe we hadn’t thought of or maybe they’ve heightened different elements, so it’s really fun. I saw the Paris show and there was much more nudity than I ever dreamed of but that’s fine.
Have you had to deal with any censorship issues in any of your tour cities?
E: Not yet. People know that this is a pretty racy book. They know what they’re getting into. We’ve played the Bible belt and it’s just as crazy as anyplace else in terms of the audience reaction. They’re totally in it. If we do get a walkout or two it’s usually because people thought they were coming to a musical that was an exact representation of the book. I have found that there are certain folks who are so passionate about this book that they don’t want to laugh about it. It awakens them, for whatever reason, and I respect that. I just always like to be clear. It is a parody. It isn’t going to be an exact replica of the book you read.
Is there audience interaction in the show?
E: Not really. There are a few times the actors talk to the audience but there’s no audience reaction back. We don’t take anyone up on stage.
Have you had anything wild happen with audience members?
E: We’ve had some people grab at Christian and he gets underwear and other things thrown at him. I can’t remember where we were, but it was definitely what I would consider a pretty conservative area of the south. I was in the ladies room and I came out and realized that the men’s room also had ladies in it. I peeked in and there were some super straight-laced soccer moms that were loading up their lipstick vibrators that they just got. It was like the craziest concert but it was a musical theatre show. It was insane. They were all drunk, probably 50 of them in there, 4 of them using a urinal, 2 of them trying to figure out their lipstick vibrator and I was just thinking…you guys have to all go to church and see each other after this. You live in this town together.
Sounds like they had a great time! Do you have any idea what you'd like to do next after this show?
E: I’m based in LA and I did comedy in Chicago and toured colleges. I come from a stand-up background and when I moved to LA I never thought I was going to be doing a live musical tour. When I moved to LA I was definitely on a TV trajectory with the goal of being a show runner one day, so I’m going to be coming off the tour soon and I’m going to pick up where I left off with that.
Tiffany Dissette: 50 Shades from An Actor’s Perspective
Tiffany: Yes! It’s such a blast of a show. Pam is the one in the book club who introduces 50 Shades of Grey to the other two ladies and the book club helps narrate the story. If you haven’t read it, you’re following the story along with the book club ladies. They’re good liaisons for the audience because all three of them are caricatures of typical housewives that a lot of audience members can relate to.
Who are the other two ladies?
T: There’s Carol, who is the one who doesn’t really get it and she’s a little bit reserved, a little appalled by everything that’s happening. Bev is totally into it and she’s the one who’s a little drunker on the side. And then there’s Pam, who I’d say is the most sexually charged, sexually aware one of the housewives. She’s the one urging the other ladies to go on this adventure with her and really experience the story; she really opens up our eyes to this whole other world that exists that a lot of people don’t know about. It definitely has some raunchy elements to it but it’s a parody so it’s all in fun.
Has anything surprised you about the audiences that have come to see the show?
T: It’s interesting because it’s almost like the women who come to see the show are cult followers. You’ve heard of the Harry Potter fans or the Twilight fans…A lot of the people who come see the show are huge fans of the book. Many of the women will come in groups. It’s ladies night out and they’ll come dressed in masks with gray ties and riding crops. It can get wild.
Have you had any unusual experiences either onstage or after the show?
T: We’ve had ladies in the front row tapping the stage with their riding crops or throwing panties at Christian. It’s hilarious. We also adapt certain parts of the show to each city we’re in and some of the audiences go crazy for that.
Why do you think the 50 Shades trilogy has become such a phenomenon?
T: There have been erotic novels in the past but I think it’s the way it’s written. It’s very nonchalant. I think it started out as this naughty little secret and a woman would say to her girlfriend, have you read this book? Have you experienced this 50 Shades? And then it became more and more popular. Then book clubs started to read it and then it just took over and became this phenomenon - this story of an innocent sweet girl being completely taken over by this world. There are a lot of people that walk into the theater being very reserved and walk out feeling completely comfortable talking about some of the subject matter. It’s a good conversation starter!
How would you describe the style of the music?
T: It’s all original music, mostly contemporary musical theatre, accompanied by a 3-piece band. We do a couple of parodies of some well-known musicals like Phantom of the Opera and Les Misérables so people who are knowledgeable in musical theatre will get those references as well.
Performances of 50 Shades! The Musical begin February 25 (opening night Feb. 26) at the Kirk Douglas Theatre, 9820 W. Washington Blvd, Culver City, CA. Click Here for tickets or call (213) 972-4488.
Performance Schedule:
Tues. Wed., Thurs. & Fri. 8:00pm,
Sat. 5pm & 9PM, Sun. 1pm & 6:30pm
http://50shadesthemusical.com/
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Labels: 50 shades, kirk douglas theatre
Saturday, January 18, 2014
Musical News for Saturday, January 18, 2014
This high energy and darkly comic show takes the audience on a wild, hilarious, and insightful ride. The true over-the-top tale contains operatic themes with twists so outrageous they seem invented as the piece explores our celebrity-crazed-society, the public’s hunger for salacious scandal, and the media’s drive for tabloid fodder. The concert staging will include a full rock band, vocals, and visuals and star Michael Ballestero, Jordan Kai Burnett, Sarah Chaney, Joe Donohoe, Michael Shaw Fisher, Maegan McConnell, Jesse Merlin, Suzanne Petrela, Michael Shepperd, Jeff Sumner, and Laura L. Thomas. Tickets are $20 in advance and $25 on the day of the show. Doors open at 7pm for bar service. A live DJ will be spinning before and after the performance. The King King Club is located at 6555 Hollywood Blvd in Hollywood, 90028. Tickets are on sale now and may be purchased online at www.celebrationtheatre.com or by phone at (323) 960-9234.
Book & lyrics are by Doug Cooney and music is by Lee Ahlin. Battledrum is directed by Christian Lebano and is double-cast. The company includes Joseph Ahearn, Tara Bopp, Will Cespedes, Kaitlin Cornuelle, Patrick Dillon Curry, DJ Harner, Jon Monastero, Mark Ostrander and Alexandra Wright. Each performance will include a post-show talk led by a historian on California’s role in the Civil War and featured actors from the show. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd., Sierra Madre, CA 91024. www.sierramadreplayhouse.org
WIN TICKETS: The Book of Mormon is giving you an opportunity to win a pair of tickets to the show by participating in a social media scavenger hunt on Saturday Jan 18 from 10:00 am – 4:00 pm PST. They will be sharing clues on Facebook, Twitter and Instragram teasing the locations of hidden doorbells around Los Angeles. To play along, follow The Book of Mormon on Twitter (@BookOfMormon), Instagram (TheBookOfMormon) or Facebook (TheBookOfMormonOnBroadway) and the hashtag #BOMHunt. One entry is allowed per person. Winners must show valid ID at The Pantages box office.
Upcoming concerts at the Grove Theatre in Upland include legendary Grammy Award winner Bryan Duncan, on February 1 at 7:00 pm. Duncan brings his powerful voice and charming humor to a family-friendly concert featuring classic hits like “Maybe I’m Amazed” and “Love You With My Life” along with new songs like “I See You.” Then on February 8, R&B singer Virgil Gibson headlines Remember the Magic, a concert that brings back the great sounds of the doo-wop era featuring tunes like “Only You,” “Up On The Roof,” “In The Still Of The Night,” “You Send Me,” “My Girl,” “Smoke Gets In Your Eyes” and many more. http://grovetheatre.com/
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Labels: conejo players, festival of new american musicals, king kong club, pantages, sierra madre playhouse
Thursday, January 24, 2013
LADCC Announces 2012 Nominations and Special Awards
Scheduled host French Stewart is a 25-year mainstay of the Los Angeles theatre scene and a notable star of TV and film. Best known for his six seasons co-starring on NBC’s 3rd Rock From the Sun, he is a member of Sacred Fools and played the title role in that company’s 2012 production of Stoneface, The Rise and Fall and Rise of Buster Keaton, which has received two LADCC nominations.
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Labels: ladcc
Monday, February 25, 2013
The Pantages Announces its 2013 - 2014 Season. Check out the Video Previews!
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| Steve Kazee and Cristin Milioti from the original Broadway Company of ONCE. Photo credit: Joan Marcus |
THE WIZARD OF OZ
September 17 – October 6, 2013
Andrew Lloyd Webber's new production
Directed by Jeremy Sams
EVITA
October 23 – November 10, 2013
By Tim Rice and Andrew Lloyd Webber
Directed by Michael Grnadage
Choreography by Rob Ashford
www.EvitaOnBroadway.com
By Tim Rice and Andrew Lloyd Webber
Directed by Michael Grnadage
Choreography by Rob Ashford
www.EvitaOnBroadway.com
Disney’s THE LION KING
November 20, 2013 – January 12, 2014
THE BOOK OF MORMON
January 21 – February 9, 2014
By South Park creators Trey Parker and Matt Stone
THE MUSIC OF ANDREW LLOYD WEBBER
June 3 – 22, 2014
Featuring songs from his greatest musicals
Featuring songs from his greatest musicals
GHOST THE MUSICAL
June 27 – July 13, 2014
By Dave Stewart and Glen Ballard
ONCE
July 15 – August 10, 2014
Book by Enda Walsh
Music & Lyrics by Glen Hansard and Markéta Irglová
Directed by John Tiffany
Directed by John Tiffany
WAR HORSE
October 8 – 13, 2013
Based on the novel by Michael Morpurgo
Based on the novel by Michael Morpurgo
Green Day’s AMERICAN IDIOT
May 13 – 18, 2014
Featuring the music of Green Day
With Lyrics by lead singer Billie Joe Armstrong
Book by Billie Joe Armstrong and Michael Mayer
Directed by Michael Mayer
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Labels: pantages
Tuesday, June 3, 2014
MUSICAL NEWS for Tuesday, June 3, 2014
The Ghost of Gershwin, an original homage to George Gershwin at the Lonny Chapman Theater, through June 22
Chasing the Song, a world premiere at the La Jolla Playhouse through June 15
For the Record: Quentin Tarantino, the popular cabaret show at DBA in West Hollywood, through July 26
Dog and Pony, a world premiere at The Old Globe in San Diego, through June 29
Nickel Mines, a world premiere at UC Irvine, through June 7.
Elements, a west coast premiere by the Angel City Chorale, June 6 & 7
Melon Collie and the Infinite Sadness, a musical cabaret at the new Fifty-Seven in downtown LA, through June
Werewolves of Hollywood Blvd, premiering at the Hollywood Fringe Festival (Lillian Theatre), through June 28
A Little New Music, the Festival joins in showcasing songs from new musicals at Rockwell in Los Feliz on June 10.
Futurefest, the Festival’s annual marathon featuring talented high school and college talent performing songs from new musicals at Rockwell on June 11.
Artland, the first world premiere musical developed at the LA County High School of the Arts, through June 15.
30 Minute Musicals, musical satires of blockbuster movies – Independence Day and Outbreak, at the Hudson Theatre in West Hollywood, through June.
One Singular Sensation, the Festival expands to Napa for Broadway Under the Stars in June and July. For more information about all of the shows, go to www.lafestival.org.
TELEVISION: KCET will present two shows for musical fans this week. On Thurs, June 3, 2014 at 10:00 pm, they will air A Broadway Lullaby, a new documentary from award-winning director Barbara Rick. The documentary provides an unprecedented inside look at Broadway’s brightest performers, all uniting to combat breast cancer through the beauty and power of music and art. The film captures the inspiration, rehearsals, recordings and creative process of artists including Victoria Clark, Raul Esparza, Sutton Foster, Marva Hicks, Nikki M. James, Judy Kuhn, Rebecca Luker, Audra McDonald, Donna Murphy, Laura Osnes, Vanessa Williams, Charles Randolph-Wright, Stephen Schwartz, David Shire, and Jules, and musicians Larry Campbell, Dave Eggar, Taylor Eigsti, Gil Goldstein, Fred Hersch, Julian Lage, and many more. The documentary will also stream online at www.kcet.org. Click Here for more about the documentary and view the teaser below.
Then on Friday, June 6 at 8:30 pm, Dialogue With Doti, hosted by Chapman University president Jim Doti, will debut. The talk show profiles today’s leaders in business, science, the arts and more. Doti’s first episode features four-time Tony Award®-winning playwright Terrence McNally (Master Class, Ragtime, Kiss of the Spider Woman). McNally will share stories and memories of his life and discusses his play Mothers and Sons which has been nominated for a Tony Award®.
YOUTUBE: News from across the pond - Episode one if Don’t Let Go is now available on YouTube. The musical film is by Jacob William, a recent Goldsmiths University graduate, and is produced by Seth Chan and directed by Bella Barlow. Don’t Let Go tells the story of Tom (played by William) who, after a car accident leaves him in a wheelchair, fights to save the girl he loves (Annie Kirkman) from an abusive relationship (Roy Ryan). Featuring ten original songs performed live and characters like a reggae-singing Grandma (played by Juliette Kaplan of BBC’s Last Of The Summer Wine), Don’t Let Go is a heartwarming and heartbreaking story about embracing life and love in the face of sheer adversity. For more information, go to www.dontletgo.co.uk or www.jacobwilliam.co.uk or check out the video below.
SEARCH FOR NEW MUSICALS: July 15 is the submission deadline for ANMT’s annual Search for New Musicals. Entries are accepted from around the globe and winners receive awards worth up to $25,000 in workshop productions, concert readings, feedback, and developmental support. All entries will receive constructive dramaturgical feedback, and will be entered in the Search contest. The winner of the 2014 Search will be announced by November 15, and will receive a workshop with the Academy Repertory Company, detailed feedback from the ANMT staff, and will be given a concert reading in Los Angeles. Writers may submit their shows electronically via ANMT's website, or submit materials by mail after completing an online submission form. For more info go to www.anmt.org.
ANMT’s BIZ OF THE MUSICAL THEATRE BIZ CONFERENCE will take place July 18-20 at the NoHo Arts Center in North Hollywood. Sign up by June 15 and take advantage of the $100 off early registration discount. Every other year, NMI & ANMT host a prestigious conference on the business side of the musical theatre business. Panelists include award-winning writers, artistic directors, commercial producers, entertainment lawyers, agents, union reps, and social media marketing experts. For information go to www.newmusicalsinc.net and click on DEVELOP and then CONFERENCE.
ANMT BOOT CAMP: The Academy for New Musical Theatre is offering three courses this summer for musical theatre bookwriters and lyricists as part of the annual Musical Theatre Summer Boot Camp. They are:
BEATING BROADWAY - August 5, 7, 12, 14
Instructor: Scott Guy
Tues/Thur for 2 weeks; 7-10pm
Using Steve Cuden's book Beating Broadway, these four sessions will detail the 'beats' of the plot line of several successful Broadway musicals
BOOK LAB - July 12, 26, August 2, 9, 16, 23 (note no July 19)
Instructor: Elise Dewsberry
Six Saturday mornings from 10am-2pm
The Book Lab is designed as an introduction to writing the book of a musical while also outlining the collaborative steps involved in creating a new musical with the whole team.
OUTLINING ANYWHERE! - July 14, 21, 28; August 4, 11, 18
Instructor: Elise Dewsberry
Six Monday evenings from 7pm-10pm
The Outlining Lab is available in-person OR online (or a combination of the two!) Video lectures, exercises, handouts, and tests are all available online.
For complete course details, prices, early bird discounts and registration info go to www.anmt.org and click on BOOT CAMP.
Other award recipients include Sheldon Donenberg and Holly Gould for Best Actor and Actress respectively; Santa Monica High School (Pippin) for Best Musical Staging or Choreography; Marina High School (Crazy for You) for Best Costumes; The Academy of Music at Hamilton High School (Anything Goes) for Best Orchestra; Agoura High School (Into the Woods) for Best Scenic Design; and Chaffey High School (Monty Python’s Spamalot) for Best Technical Crew. www.JerryHermanAwards.com
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Labels: a little new music, anmt, festival of new american musicals, kcet, la jolla playhouse, san diego musical theatre, the grove theatre